The book features contributions fromĪrchaeologists, Egyptologists, anthropologists and artists. Prehistoric societies and ‘Unfolding images’, which focuses on how imagesĬhange as they are made and circulated. Making ‘Images as process’, which examines the making and role of images in
The book isĭivided into three sections: ‘Emergent images’, which focuses on practices of Possibility that draw together differing aspects of the world. The verb ‘imaging’ to underline the point that images are conditions of It considers images as processes or events and introduces The book reassesses the predominantly representational paradigm ofĪrchaeological image analysis and argues for the importance of considering the The book offers a New Materialist analysis of archaeological imagery, with anĮmphasis on considering the material character of images and their making and Novel contribution to ongoing debates relating to archaeological art and images. Including prehistoric Britain, Scandinavia, Iberia, the Americas and DynasticĮgypt, and including contemporary reflections on material images, it makes a With contributions focusing on case studies Making and unfolding of images and art alters archaeological accounts of This book presents a study of material images and asks how an appreciation of the
